On the Set With Bob's Candid Camera

To quote the photo description used by the studio:  ON THE SET WITH ROBERT MONTGOMERY'S CANDID CAMERA. Robert Montgomery always has his candid camera on the set with him, and photographs everything in sight between scenes. When he wants to be in the picture himself, either the cameraman or some friend snaps the camera after he sets and focuses it.  The photo, taken on the set of Night Must Fall, was personally developed by Montgomery.  Here he serves Rosalind Russell at lunch, in the open air cafeteria established on location at Sherwood Forest. Richard Thorpe, the director, also a candid camera enthusiast, used Bob's camera.

A similar write-up was used for the photo below.  Which leads to the obvious question:  what on earth happened to all those other photos he took on the set over the years?  How sad to lose all those records of movie history.

 

Well, He's Almost Perfect

This is a follow up to my May 7th entry wherein I mention touch up work on Bob's face ... This is the photo used in Dangerous Men that shows Bob without makeup, the face blown up a tad. 

You can see a few blemish marks, the circles under his eyes and an eyebrow in need of trimming.  All will require touching up.  The following photo was taken in 1946 by a wire service photographer who obviously did not do any retouching. 

As Hurrell said, early pancake makeup was really horrid on an actor's complexion, requiring extensive touch up work for many of his subjects.  I rather like the idea of Bob's face not being perfect.  Makes him seem more real to me.

When You Can't Afford the Real Thing ...

... you buy a $2 postcard, touch it up a bit and, Voila,  you have a stunning portrait of a beautiful young man.  My buy for the year.  (Have you noticed the prices some of Bob's photos are bringing on eBay?  I need to buy more lottery tickets!)

It Just Isn't His Smile

Note the original Bob portrait above and the colorized version below.  Of course the original photo is already retouched ... no one has such glacially smooth facial skin.  If nothing else, they've removed any trace of facial hair.  In his off camera photos, his upper lip especially looks always in need of a shave.  He probably grew that mustache for Trouble for Two in a matter of days.  In the colorized photo there is more retouching ... the forehead wrinkles are lessened, the cheeks are changed, and now he even has a smile.  Hmm ... as in going one step too far. 

Hey! I've Finally Seen Skylark!

                                        Skylark (1941)

I finally got a copy of Skylark --- thank you, Carrie.  It IS a good movie, darn good actually.  But, then, how could it not be.  You take a good director (Mark Sanrich), three talented stars at their peak (Claudette Colbert, Ray Milland and Brian Aherne), the usual stalwart supporting cast (Binnie Barnes, Walter Abel and Mona Barrie in particular), an excellent, witty script, and SURPRISE, it works! 

Claudette is excellent, as always, and she pairs well with Ray ... two of my favorite people.  And one can definitely see why Claudette is tempted by Brian Aherne, even with Ray Milland as her husband.  [If you ever get a chance to read Aherne's biography of his friend George Sanders, A Dreadful Man, do so.  A great read, and impressive to me because Aherne was 77 years young at the time.]

The rating on IMDB is only 6.3.  I do not understand that at all ... well, it is in black and white, and it was made 72 years ago, and Claudette who?  Maltin's ***1/2 rating is much more on track.  For me, a movie is good if I enjoy it and feel better having watched it ... keeping things simple, life comes with enough complications.